Ithra Welcomes the English Chamber Orchestra

Ithra hosted one of the most remarkable classical music events at the heart of Dhahran, The English Chamber Orchestra...

Make Tofu Not War, 2018, Goshka Macuga © The Artist. Courtesy of the Artist and Kate McGarry London. Photo © British Council
Photo by Chris Christodoulou

In October 2024, the Ithra, King Abdulaziz Center for World Culture, hosted one of the most remarkable classical music events in the region’s recent memory. The English Chamber Orchestra took the stage at Ithra Theatre in Dhahran for the first time in Saudi Arabia, performing two powerful concerts that left audiences inspired and moved. More than a musical milestone, the event was a symbol of growing cultural dialogue between Saudi Arabia and the United Kingdom, setting a new precedent for cross-border artistic collaboration.

Founded in 1960, the English Chamber Orchestra is celebrated as the world’s most recorded chamber ensemble, boasting over 800 recordings. Known for its rich versatility and deep musical heritage, including its historical association with Benjamin Britten, ECO has long been a respected fixture on the global stage. Yet its visit to Saudi Arabia, orchestrated by London-based cultural production company TYB Arts, marked a particularly special moment: not only was it the orchestra’s debut in the Kingdom, but it also represented a meaningful act of cultural exchange between two nations with distinct, yet equally vibrant, artistic traditions.

Ithra provided the perfect setting for this groundbreaking occasion. As one of the region’s most prestigious cultural institutions, Ithra is more than a venue; it is a visionary platform dedicated to arts, creativity, and community development. With its modern theatre, world-class acoustics, and strong focus on nurturing local talent, it was the ideal partner for an ensemble of the English Chamber Orchestra’s calibre.

The concert program was a carefully curated blend of classical masterpieces and modern interpretations. Audiences were treated to Astor Piazzolla’s dynamic The Four Seasons of Buenos Aires, a tango-infused reimagining of Vivaldi’s iconic work, followed by Max Richter’s modern and emotionally rich take on The Four Seasons. The performance also included Mozart’s beloved Eine kleine Nachtmusik. This blend of old and new, European and Latin American, was a celebration of global musical dialogue.

What made the English Chamber Orchestra’s visit truly special was its connection with the local community. In collaboration with the Music Hub in Dhahran, the orchestra held a masterclass for Saudi music students, giving them a rare chance to learn directly from world-class musicians. More than just a technical lesson, the session evolved into a creative exchange that showcased the talent and potential of young Saudi artists on an international stage.

One of the most memorable outcomes of this session was the introduction of young Saudi composer Bader Ahmed Ali Bashmail, who presented an original composition to the English Chamber Orchestra during the masterclass. So moved were the orchestra members by his work that they included it in their second concert at Ithra, marking the first time in history the English Chamber Orchestra performed a piece by a Saudi composer. This was more than a symbolic gesture; it was an authentic moment of recognition, encouragement, and cultural bridging.

The English Chamber Orchestra’s visit to Saudi Arabia, facilitated by TYB Arts and hosted by Ithra, reflects the Kingdom’s increasing role as a cultural convener. Through initiatives like this, Saudi Arabia is not only welcoming global artists but also creating spaces for local voices to be heard and celebrated.

In a world often divided by differences, music remains a universal language. The concerts in Dhahran were more than just performances; they were a testament to what can happen when art transcends borders, and when institutions invest not only in excellence but in exchange, education, and mutual respect.

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